Arrakis arc-10
Director Denis Villeneuve handles each scene with a sense of care and grace, focusing not only on the characters and their reactions but showcasing the sheer scale of everything.ĭune also features a very impressive cast, with Timothée Chalamet leading the charge as the teenage Paul Atreides his version of the character feels more brooding and contemplative, perhaps more like an actual teenager than a stock hero character. There’s never a sense that the worlds showcased in Dune are in any way fake they feel as real and authentic as Middle-Earth does in The Lord of the Rings trilogy (arguably the best point of cinematic comparison). This combination of set design and lighting is utterly superb, perfectly suiting Greig Fraser‘s more naturalistic approach to cinematography.Ī lot of the scenes on Arrakis have been captured on IMAX cameras – and look absolutely stunning on a huge screen.
#Arrakis arc 10 windows
Inside the city, the production design is intricately detailed, complete with sandworm carvings on the wall and windows situated so as to let in just enough light to see, but not so much to be overbearing Arrakis isn’t the Atreides’ home, and we always feel that. The desert locations look stunning, while the shots of Arrakeen showcase a brutalist architecture intent on blocking out the harsh sunlight of the day. We spend little time on Caladan itself – just enough to juxtapose it as much as possible with Arrakis – but Dune itself is brought to life perfectly. There’s clear colonial influences the Atreides’ home-world of Caladan is grey, damp and green (much like Britain), with the characters journeying to the remote world of Arrakis as a hot, sunny, “foreign” environment.
What sets Dune apart from something like Star Wars is the complexity of its world-building, creating this future universe with a level of depth rarely seen in films. While Dune may have a rather complex premise, the main narrative hits many familiar beats of the hero’s journey, following Paul’s growth not only from adolescence to adulthood, but also into a heroic figure as someone trying to save his house and prevent a universal war. Whatever happens next, the entire universe hangs in the balance… The Duke’s son Paul ( Timothée Chalamet), meanwhile, has been seeing visions of Arrakis – and of the future – and tries to discover what it all means with the help of his mother ( Rebecca Ferguson). But Duke Leto Atreides ( Oscar Isaac) is aware that this is a trap, and a means of starting a war between the Harkonnens and Atreides, and so endeavours to build an alliance with the Fremen, led by Stilgar ( Javier Bardem) to defend their house and maintain control over Dune, and over the spice mined there – the most valuable substance in the universe. The Emperor of the known universe relinquishes the Harkonnen’s control to the Atreides family, previously rulers of the rainy world of Caladan, who begin to take control. The story is set years into the future on the desert planet of Arrakis, home to the Fremen and occupied by the Harkonnen family for decades.